The First Queen in Recorded Human History?

kubaba-semiramisMeet Kubaba. She’s a Sumerian Queen.

Although it’s been a while since I’ve been working on my Sumerian project, all the same interesting information about Sumerian culture keeps on trickling in to me.

This one is about the first Sumerian (or maybe Akkadian?) queen, ergo first queen in recorded human history.

Meet Ku-Bau.  She’s a little heavy on the kohl makeup around the eyes but that’s because she’s queen and queens need to have scary eyes.  Also, notice the hat: it’s the Sumerian shepherd hat that all Sumerian kings wore.

Ku-Bau also has many names: she is Kug-Bau, Ku-Baba and Kubaba.

Here is what the Sumerian King List says about Kug-Bau:

In Kish, Kug-Bau, the woman  tavern-keeper, who made firm the foundations of Kish, became king; she ruled for 100 years.

There is another legendary queen, whose existence is often attributed to myth, who is said to have risen to the throne after a spell as a “tavern maid” or barmaid (which according to some is a nicer name for prostitute.) That queen is Semiramis. The possibility that the legendary Semiramis and the historical Ku-Bau may be the same person is supported by some pundits of ancient history.  I cite Anthony Lyle’s Ancient History: A Revised Chronology.

The question of how a woman tavern keeper became a queen in a mostly male-dominated society is an interesting one which Sumerian Shakespeare does a great job addressing in his website.  To summarize the thesis: it’s possible that Ku-Bau could have attained her leadership either by marrying a lord who became king or by marrying a king.  Sumerian Shakespeare says the latter is unlikely, since in his view tavern keepers were little better than prostitutes.

Personally, I disagree. A lot of Sumerian culture, first discovered over a hundred years ago has been judged by modern cultural standards, assuming wholesale that there was already in place a fully blown patriarchy and oppression of women.  The evidence points to a different story, to a society that had less defined gender roles and less hangups about sexuality, at least until Semitic cultures became more dominant.  I’ve written about this before, in a popular post, but suffice it to say that in the Gilgamesh epic tavern keepers appear to be more than respectable, comfortably dispensing advice to despotic kings like Gilgamesh of Uruk.

Sumerians also had far more “liberal”ideas about sex than we do even today.  Sex with same-sex partners was considered normal, for instance. Prostitution wasn’t a shameful profession but a service to the goddess.  It is possible that tavern keepers of a certain quality may have actually been more like powerful business owners than “little more than prostitutes”.

Still Sumerian Shakespeare is pretty well versed on all things Mesopotamian, so I defer. Here is what else Sumerian Shakespeare has to say about Ku-Bau:

Ku-Baba was the first female ruler in all of history. She ruled 500 years before the first  female pharaoh, 2,300 years before Cleopatra, and 3,900 years before Queen Elizabeth.
These other monarchs were born into royal families, but Ku-Baba arose from humble origins.
She became a well-respected and beloved queen. She had a very successful reign and she established her own dynasty. She made firm the foundations of Kish, restoring the power and prestige of the city. Everyone knew this, so not even Sargon [a rival king who survived and later discredited her] could take that away from her.
As a commoner, she was “the people’s queen”, which was yet another reason why Sargon  sought to discredit her. She was beloved by the people, Sargon was hated. Unfortunately, she is best remembered by Sargon’s slander that she was a tavern keeper, which is certainly not true. Even today, here in the Feminist Era, it is hard to take her seriously with the image of Ku-Baba the Tavern Queen etched into our minds. I believe this is the reason why she has never been given the respect and recognition that she truly deserves.

The fact of the matter is that Kubaba/Ku-Bau/Kug-Bau was a tavern keeper turned queen, just like Semiramis. She was probably the first queen to rule in all recorded human history at circa 2400 B.C.  — unless Enmebarraggesi, mentioned in the Gilgamesh Epic, was a woman and someone comes up with proof, Ku-Bau wins the feminist title for baddest chick of the ancient world.

Son of a Pitch Query Contest

I haven’t done this in years, but I thought I might test out the query and new opening of a novel I had at first given up on, and that I recently revised.   Wish me luck. 🙂

If you’re interested in participating in the contest, here is a link.

I would really appreciate comments and advice. Thanks!

#SonofAPitch

Title: The Faithful Son

Genre: Myth, Historical Fantasy Adult/YA crossover

Word Count: 85,000

QUERY: (revised as per reviews)

Amargi would do anything to earn his father’s respect, like break his back in the stables all day long, then stay up all night to teach himself to read and write Sumerian, the language of royalty.  But gaining worth in his father’s eyes is no easy task, as Aga, king of Kish, is distant and cruel, and has little use for a bastard son.  Luckily, Amargi has allies: Peshtur, a temple girl training to be priestess, and Xani, the king’s sister, who are both willing to share their knowledge of Sumerian history and cult magic to help Amargi navigate the city’s deadly politics.

With the help of these women, Amargi discovers an opportunity to earn his father’s trust: he must fight and kill Gilgamesh, a rival warrior king.  But Amargi is a boy, and Gilgamesh is not only a seasoned warrior; he’s also a demigod.  When the two finally meet, Gilgamesh proves worthy of his legendary talents and wastes no time in making a joke of Amargi before everyone who matters.  Now the fight is personal.  Caught in the rivalry between the two most powerful kings of Sumer,  Amargi must quickly learn to navigate the reuses, treachery, and politics ruling his violent world trusting only in himself. He must move quickly, if he’s to reclaim the dignity that Gilgamesh stole from him and save himself and the women he loves from his father’s destructive ambitions.

The Faithful Son is a retelling of the Sumerian Gilgamesh poems.  It is 85,000 words and an adult/YA crossover historical fantasy set in ancient Sumer in the year 2600 B.C.  Myth lovers and ancient history buffs will enjoy this coming of age story, where the struggle for power and supremacy threatens to destroy family, love, and freedom.

FIRST 250 WORDS:

Peshtur scuttled quietly along the temple’s darkened hallways, hoping to pass unnoticed through the busy footwork of acolytes readying offerings for the morning ceremonies. A girl who balanced a tray of cakes and spiced meat for the gods noticed her and gave her a perfunctory nod. Peshtur turned away, pretending to admire the floating candles in a clay basin at the feet of the water goddess, Nin Imma.  She felt the secret missal tucked into the sleeve of her long cloak, the clay still soft and wet. She had no time to wait for the tablet to dry.  The merchant said he’d sail at dawn. She had to leave the temple now, unnoticed.

If someone recognized her, and found the missal on her, she’d be lashed to within an inch of her life, chained to the city gates until she starved or bled to death.  She chased away her fears. Her life was nothing compared to the needs of her lord, the only true light of her life. As she crossed the sanctuary, Peshtur bowed to every altar and every god, feigning devotion : Emesh of the forest, with sprigs of fennel wood; Lahar of the cattle, with copper bells and woolen robes. Before Isimud, the two-faced messenger, she dropped to her knees and placed a silver coin in the offering basket.

“Forgive,” she whispered. For all the lies she’d had to tell in this hallowed home; for all the people she was about to betray. “And bless my mission,” she added, quickly rising to her feet.

 

 

Gilgamesh in Akkadian

Reposting this amazing recording of the Gilgamesh Epic in its original Akkadian.

I should point out that the earliest version of the Gilgamesh stories were poems written in Sumerian, not in Akkadian. The Akkadian version (written hundreds of years later) is the best known complete version.

 

Hear The Epic of Gilgamesh Read in the Original Akkadian and Enjoy the Sounds of Mesopotamia

in History | October 1st, 2010 37 Comments

Long ago, in the ancient civilization of Mesopotamia, Akkadian was the dominant language. And, for centuries, it remained the lingua franca in the Ancient Near East. But then it was gradually squeezed out by Aramaic, and it faded into oblivion once Alexander the Great Hellenized (Greekified) the region.

Now, 2,000+ years later, Akkadian is making a small comeback. At Cambridge University, Dr. Martin Worthington, an expert in Babylonian and Assyrian grammar, has started recording readings of poems, myths and other texts in Akkadian, including The Epic of Gilgamesh. This clip gives you a taste of what Gilgamesh, one of the earliest known works of literature, sounds like in its mother tongue. Or, you can jump into the full collection of readings right here.

via Heritage Key

 

 

Story Makers and Story Chasers – a theory

This came up because I was reading a book by Stephanie Feldman titled The Angel of Losses.  I really liked it, in spite of the fact that it was kind of a mess, structure-wise, meandering and digressing at every turn, and I could feel at times the frustration of the writer trying to contain this huge, fluid story into a marketable three act structure.

I have come to see the world of writers as divided into two main camps: the story chasers and the story makers. Story makers control the story. They think it up, then box it, beat it into shape, whip it into submission and produce it pretty much the way the envisioned it. They are in control. They are the masters of the game, and if the game doesn’t behave, woe is it. I have two friends who are story makers. They are both very successful in the commercial market because their way of doing things is very much in tune with the way the commercial industry wants writers to work: fast, with a clear and specific goal, no delays, no indecisive turns and unexpected complications.

Then there is that other class of writers, the story chasers. For us, the story doesn’t come from inside our heads, it visits us, tantalizes us with sneak peaks, invites us to hunt after it by leaving clues all around. We go on its trail, smelling its scent, following its track, always on the verge of catching it naked in the act: aha! There you are, story. I found you! But the story is always changing, always hiding a piece of itself in the sand, showing a curve of its snake-like body, but striking with its tail where we’re not looking.

I don’t know Stephanie Feldman personally, and I’m making a leap here categorizing her as a story chaser, but as I was reading her book, The Angel of Losses, I recognized a fellow soul. Even her protagonist is a story chaser, a professor who is hunting for the origins of a myth that takes various forms and shapes in different cultures across time. I have myself chased a number of myths through history, seduced by their similarities and baffled by their subtle shifts, and I think that I bring that same kind of curiosity, reverence and malleability to the stories I write, but oh, it is such a slow, slow process, and messy. No wonder I’m so slow.

It’s different with nonfiction. I don’t ever try to force nonfiction to fit into a story. I let whatever is inside me shape itself through me, and, surprisingly, because I don’t do it consciously, the memoir or essay comes out having a solid structure. I don’t know why that happens, and I don’t know why I can do that with nonfiction, but I have to work so hard with fiction at making it all make sense. When I figure it out, it will probably be too late, but it’s all right with me. I like a little mystery in the process.

So do you agree? Are you a story maker or a story chaser?

#writing #LauraValeri #StephanieFeldman #plottingstories #fictionwriting #creativity #creativewriting #typesofstorytelling #TheAngelofLosses #storytelling

Story Makers and Story Chasers – a theory

This came up because I was reading a book by Stephanie Feldman titled The Angel of Losses.  I really liked it, in spite of the fact that it was kind of a mess, structure-wise, meandering and digressing at every turn, and I could feel at times the frustration of the writer trying to contain this huge, fluid story into a marketable three act structure.

I have come to see the world of writers as divided into two main camps: the story chasers and the story makers. Story makers control the story. They think it up, then box it, beat it into shape, whip it into submission and produce it pretty much the way the envisioned it. They are in control. They are the masters of the game, and if the game doesn’t behave, woe is it. I have two friends who are story makers. They are both very successful in the commercial market because their way of doing things is very much in tune with the way the commercial industry wants writers to work: fast, with a clear and specific goal, no delays, no indecisive turns and unexpected complications.

Then there is that other class of writers, the story chasers. For us, the story doesn’t come from inside our heads, it visits us, tantalizes us with sneak peaks, invites us to hunt after it by leaving clues all around. We go on its trail, smelling its scent, following its track, always on the verge of catching it naked in the act: aha! There you are, story. I found you! But the story is always changing, always hiding a piece of itself in the sand, showing a curve of its snake-like body, but striking with its tail where we’re not looking.

18085491I don’t know Stephanie Feldman personally, and I’m making a leap here categorizing her as a story chaser, but as I was reading her book, The Angel of Losses, I recognized a fellow soul. Even her protagonist is a story chaser, a professor who is hunting for the origins of a myth that takes various forms and shapes in different cultures across time. I have myself chased a number of myths through history, seduced by their similarities and baffled by their subtle shifts, and I think that I bring that same kind of curiosity, reverence and malleability to the stories I write, but oh, it is such a slow, slow process, and messy. No wonder I’m so slow.

It’s different with nonfiction. I don’t ever try to force nonfiction to fit into a story. I let whatever is inside me shape itself through me, and, surprisingly, because I don’t do it consciously, the memoir or essay comes out having a solid structure. I don’t know why that happens, and I don’t know why I can do that with nonfiction, but I have to work so hard with fiction at making it all make sense. When I figure it out, it will probably be too late, but it’s all right with me. I like a little mystery in the process.

So do you agree? Are you a story maker or a story chaser?

Valentine’s Giveaways

Spice your love with some old world recipes and some remedies for good luck — because we all know that love needs some help some time.

I’m happy to announce my Valentine’s Day Giveaway which will start today until the prize is given away.

Valentine Giveaway #1 for the Savory Old World Lover:See this #AmazonGiveaway for a chance to win: Safe in Your Head.https://giveaway.amazon.com/p/0de5c1c9705e488d NO PURCHASE NECESSARY. Ends the earlier of Feb 9, 2016 11:59 PM PST, or when all prizes are claimed. See Official Ruleshttp://amzn.to/GArules.Giveaway Summary:

Title:Valentine GiveawayEntry Message:Share the love with stories, recipes and folklore remedies from the country of love.Duration:Feb 2, 2016 4:08 PM PST – Feb 9, 2016 11:59 PM PSTPrize:Safe in Your HeadNumber of Prizes:1

Giveaway #2 for The Valentine Singles: This book about love lost and found should warm up your February.See this #AmazonGiveaway for a chance to win: The Kind of Things Saints Do (Iowa Short Fiction Award). https://giveaway.amazon.com/p/4cb288365fecf6db NO PURCHASE NECESSARY. Ends the earlier of Feb 9, 2016 11:59 PM PST, or when all prizes are claimed. See Official Rules http://amzn.to/GArules.Giveaway Summary:

Title:Valentine’s Giveaway: Broken HeartsEntry Message:For every broken heart on Valentine’s Day there’s a silver lining: my book about love (lost and found!)Duration:Feb 2, 2016 4:14 PM PST – Feb 9, 2016 11:59 PM PSTPrize:The Kind of Things Saints Do (Iowa Short Fiction Award)Number of Prizes:1

Valentine’s Giveaways

Spice your love with some old world recipes and some remedies for good luck — because we all know that love needs some help some time.

 

I’m happy to announce my Valentine’s Day Giveaway which will start today until the prize is given away.

Valentine Giveaway #1 for the Savory Old World Lover:

See this #AmazonGiveaway for a chance to win: Safe in Your Head.https://giveaway.amazon.com/p/0de5c1c9705e488d NO PURCHASE NECESSARY. Ends the earlier of Feb 9, 2016 11:59 PM PST, or when all prizes are claimed. See Official Ruleshttp://amzn.to/GArules.
Giveaway Summary:
Title: Valentine Giveaway
Entry Message: Share the love with stories, recipes and folklore remedies from the country of love.
Duration: Feb 2, 2016 4:08 PM PST – Feb 9, 2016 11:59 PM PST
Prize: Safe in Your Head
Number of Prizes: 1

 

Giveaway #2 for The Valentine Singles: This book about love lost and found should warm up your February.

See this #AmazonGiveaway for a chance to win: The Kind of Things Saints Do (Iowa Short Fiction Award). https://giveaway.amazon.com/p/4cb288365fecf6db NO PURCHASE NECESSARY. Ends the earlier of Feb 9, 2016 11:59 PM PST, or when all prizes are claimed. See Official Rules http://amzn.to/GArules.
Giveaway Summary:
Title: Valentine’s Giveaway: Broken Hearts
Entry Message: For every broken heart on Valentine’s Day there’s a silver lining: my book about love (lost and found!)
Duration: Feb 2, 2016 4:14 PM PST – Feb 9, 2016 11:59 PM PST
Prize: The Kind of Things Saints Do (Iowa Short Fiction Award)
Number of Prizes: 1